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Reviews

• “Finally, a Movie That Understands the Lives of Artists.” Film review of Showing Up, by director Kelly Reichardt. Hyperallergic, June 6, 2023. Hyperallergic’s most read articles of 2023

• “The Untold History of Japan’s Women Artists.” Hyperallergic, April 25, 2023. Top 50 exhibitions of 2023

• “A History of Houston’s Creative Terrain.” Review of Impractical Spaces: Houston, by Pete Gershon. Hyperallergic, November 23, 2022. Top Art Books of 2022

• “Making Art in the Shadow of Grief." Hyperallergic, June 6, 2022

• “The Activist Spirit of a Denver Artist Residency Program.” Hyperallergic, May 9, 2022.

• “Picturing the Pandemic Through the Lens of Buddhism.” Hyperallergic, May 4, 2022.

• “Abstraction From a Different Origin.” Hyperallergic, April 26, 2022.

• “The Layered History of Japanese Printmaking, Distilled in an Emerald Tapestry.” Hyperallergic, February 22, 2022.

• “Two Artists Record the Voices of the Silk Road.” Hyperallergic, February 6, 2022. (Article republished by Pakistan’s The Frontier Post)

• “Ai Weiwei Plumbs His Chaotic Childhood in New Memoir.” Review of 1,000 Joys and Sorrows: A Memoir, by Ai Weiwei. Hyperallergic, November 7, 2021. Top Art Books of 2021

• “With Denver Location, Meow Wolf Expands its Immersive Schtick,” Hyperallergic, September 22, 2021.

• “The Silent Lives of Found Photographs,” Hyperallergic, September 10, 2021.

• “A Contemporary Take on Bosch’s Garden of Earthly Delights,” Hyperallergic, September 1, 2021. Top Art Exhibitions of 2021

• “Maia Ruth Lee’s Artworks Pick Up Where Language Falls Short,” Hyperallergic, May 19, 2021.

• “Paul Ramírez Jonas: Disappearing Vows, Disguised Lies,” Art Papers, February 3, 2021.

• “The Little-known, Refreshingly Vulnerable Works of Clyfford Still’s Final Years,” Hyperallergic, November, 11, 2020.

• “A Closer Look at China’s Most Enigmatic, and Most Copied, Artist.” Hyperallergic, March 11, 2020.

• “How a Team of Curators Is Reorienting Western Expectations Around Chinese Art and Identity.” Hyperallergic, February 28, 2020. (Article translated by OCAT Institute: [巫鸿策展] 一个策展团队如何重新定位西方对中国艺术和身份的期望, March 23, 2020)

• “Where Artists and Amazon Workers Align.” Hyperallergic, January 30, 2020.

• “An Art Fair Where You can Buy a Steer and a Painting in the Same Venue.” Hyperallergic, January 23, 2020.

• “The Radical Side of Suburbia.” Review of Radical Suburbs, by Amanda Kolson Hurley. Hyperallergic, November 28, 2019.

• “Tracing the Rise of Houston’s Art Community.” Review of Collision, by Pete Gershon. Hyperallergic. November 19, 2019

• “Gina Adams: Its Honor is Hereby Pledged.” Art Papers, November 6, 2019

• “The Material Legacy of Matrilineal Power in China’s Qing Dynasty.” Hyperallergic, June 18, 2019. Top Exhibitions of 2019

• “Margaret Kilgallen’s Unique Mix of Folk, Feminism, and Street Art.” Hyperallergic, June 3, 2019.

• “An Artist Uses Buddhist Iconography to Engage in a Political Debate Around Tibet.” Hyperallergic, May 23, 2019.

• “Paintings that Capture Our Ever-Changing Perceptions of Boyhood.” Hyperallergic, March 4, 2019.

• “In 1972, Snow Monkeys Were Sent to a Texas Desert. Do They Still Remember Snow?" Hyperallergic, January 31, 2019.

• “Anne Brigman’s Radical Nude Self-Portraits from the Early 1900s.” Hyperallergic, January 24, 2019.

• “These Massive, Uncanny Artworks Will Give you the Chills.” Hyperallergic, January 23, 2019. Top Exhibitions of 2019

• “Clyfford Still, as Seen Through His Daughter’s Eyes.” Hyperallergic, January 8, 2019.

• “Porous Definitions of Home and Belonging at the Santa Fe SITE Biennial.” Hyperallergic, November 29, 2018. Top Exhibitions of 2018

• “Spellbound by a Live Painting Performance on Election Night.” Hyperallergic, November 8, 2018.

• “A Sculptor Conjures Up a Parade for the American Midterm Elections.” Hyperallergic, October 30, 2018.

• “How Nuclear Testing Transformed the Land in Nevada and New Mexico.” Hyperallergic, October 19, 2018.

• “Charting New Territory in Landscape Photography.” Hyperallergic, September 6, 2018.

• “Derrick Adams’s Transmissions on Art and Black Identity.” Hyperallergic, August 24, 2018.

• “Looking Back on the Golden Age of Fashion Illustration with Jim Howard.” Hyperallergic, July 23, 2018.

• Jeffrey Gibson Challenges the Parameters of Native American Art.” Hyperallergic, July 18, 2018

• “The America that Wealth Forgot.” Review of The View of Flyover Country, by Sarah Kendzior. Hyperallergic, June 27, 2018.

• “Abstracting Maps to Question Our Relationships to Territory.” Hyperallergic, May 21, 2018.

• “Filming Native American Performance Through a Decolonized Lens.” Hyperallergic, May 11, 2018.

• “Bringing Our Social Media Spaces and Selves into the Gallery.” Hyperallergic, April 27, 2018.

• “Once Upon a Time…:The Western: A New Frontier in Art and Film.” Review of exhibitions by Montreal Museum of Fine Art and Denver Art Museum. College Art Association Reviews (CAAReviews), April 13, 2018.

• “The Chicano Art of a Red-Blooded American.” Hyperallergic, March 19, 2018.

•  “Intricate Artworks Show a Mother’s Pain and Persistence.” Hyperallergic, March 7, 2018.

•  “Commemorating US-Mexico Collaboration on a Farm Where Guest Workers Toiled.” Hyperallergic, March 5, 2018.

• “Drawing on Memories of Violence and Displacement.” Hyperallergic, March 2, 2018.

• “How American West Reenactments Restore and Rewrite History” Hyperallergic, February 23, 2018.

• “How Books Get Banned.” Hyperallergic, February 15, 2018.  

• “Making Widgets Not Revolution.” Artillery Magazine, January 23, 2018.

• “Now More Than Always.” Artillery Magazine, June 27, 2017.

• “Ryan McGinley’s Polaroids of the Uninhibited Youthful Body.” Hyperallergic, April 7, 2017.

• “Decoding Painted Constellations of Tiny, Mysterious Symbols.” Hyperalleric, December 14, 2016.

• “Artistic Duo, SANGREE, Shows Denver Both Past and Future.” ArtBeat Magazine, December 8, 2016

• “A Garden of Ceramic Delights.” Hyperallergic, December 5, 2016.

• “Mark Bradford’s Paintings Bring Out the Politics in Clyfford Still’s.” Hyperallergic, September 27, 2016.

• “Painting Artforum, Cover to Cover.” Hyperallergic, April 13, 2016.

• “Dismantling the Conventions of Monuments.” Hyperallergic, March 15, 2016.

• “Marilyn Minter’s Dirty Visions of Food, Faces, and Feet.” Hyperallergic, January 14, 2016.

• “Clyfford Still’s Radical Repetitions.” Hyperallergic, January 4, 2016.

• “Contemporary Takes on China’s Oldest Painting Technique.” Hyperallergic, October 15, 2015.

Features & Profiles

• “Strong Ties.” Frieze for Aspen Art Museum, Summer 2024.

• “Artists Remember the Transformative Teachings of Toshiko Takaezu.” Hyperallergic, April 23, 2024.

• “In Aspen and Denver, two distinct art ecosystems are thriving.” The Art Newspaper, July 31, 2023.

• “How a group of abstract painters in New Mexico — and the US government—changed modern art.” Los Angeles Times, February 16, 2023

• “Juan Fuentes’s Lexicon of Longing.” Hyperallergic, January 16, 2023.

• “A Contemporary Take on Traditional Indigenous Porcupine Quillwork.” Hyperallergic, September 8, 2022.

• “Debunking Myths About Public Art.” Hyperallergic, August 25, 2022.

• “Artists in Denver Invite You to Their Yards, Living Rooms, and Skating Rinks.” Hyperallergic, March 6, 2022.

• “Clark Richert, One of Colorado’s Most Prominent Artists, Dies at 80.” Hyperallergic, December 30, 2021.

• “How Museums Are Combatting a Shortage of East Asian Art Conservators.” Hyperallergic, April 8, 2019.

• “World’s Largest Native American Art Forgery Ring Distributed $12M of Fakes.” Hyperallergic, February 8, 2019.

• “A Student Artist’s Noose Artwork Sparks First Amendment Debate.” Hyperallergic, January 17, 2019.

• “The Andy Warhol Foundation Is Expanding Its National Reach.” Hyperallergic, December 12, 2018.

• “A Postmortem on Trump’s Proposed Chinese Art Tariff.” Hyperallergic, October 3, 2018.

• “A Denver Art Project Envisions Alleys as Social Spaces.” Hyperallergic, September 28, 2018.

• “Can Art Lending Libraries Empower a New Generation of Collectors.” Hyperallergic, April 20, 2018.

• “The Dazzling Abstractions of a Neglected Taos Artist.” Hyperallergic, April 12, 2018.

• “Chris Krieg: Hand-Painted Signs, Sky-High Murals.” ArtBeat Magazine 2 (2017): 72-77.

• “A New Center in the Mile-High City Elevates Women’s Contributions to Colorado History.” Hyperallergic, March 23, 2018.

  News & Opinions

• “Artist Sues US City that Cancelled Her Residency Over Pro-Palestine Painting,” The Art Newspaper, October 17, 2024

• “How Artists are Helping US Communities Prepare for Environmental Emergencies,” The Art Newspaper, October 3, 2024.

• “Read All About It,” interview by Jeanie Chung, Tableau, University of Chicago, June 2024.

• “Extra, Extra,” interview by Jeanie Chung, Tableau, University of Chicago, June 2024.

• US City Cancels Artists Residency over pro-Palestine painting.” The Art Newspaper, May 21, 2024

• Denver Art Museum to Take Over Neighbouring Decorative Art Museum.” The Art Newspaper, May 14, 2024.

• “How Has The Supply Chain Crisis Affected Artists.” Hyperalleric, January 10, 2023.

• “The Very Real ‘Motherhood Penalty’ in the Art World.” Hyperallergic, May 25, 2021.

• “The Auctioning of an 11th-Century Chinese Scroll Points to the Complex Tradition of Copying.” Hyperallergic, October 17, 2018.

• “BMOCA InsideOut 2018-2019: Pard Morrison.” Essay published by the Boulder Museum of Contemporary Art, August 22, 2018.

• “Hannah Gadsby’s Exquisite Performance In Calling Out Artists Who Abuse Their Power.” Hyperallergic, August 16, 2018.

• “A Portrait of Artist Dana Schutz’s Son Reframes Issues of Consent and Appropriation.” Hyperallergic, June 19, 2018

• “Could Archives Democratize Art History?” T\LT WEST, May 2, 2018.

• “On Regional History and Potential.” T\LT WEST, May 18, 2017. (Republished by University of Colorado - Colorado Springs for exhibition Great Expectations: Emerging Artists from the Colorado Front Range)

• “Illustrating Islamic Stories: Miniature Paintings from India Bring Images, Text and Cultures Together,” Asian Avenue Magazine 6, no. 2 (February 2011): 24.

Interviews

• “Artnauts Founder George Rivera Reflects on 25 Years of Art and Activism.” Hyperallergic, October 9, 2022.

• “Reanimating Women from Found Photographs.” Hyperallergic, July 27, 2018.

• “Sexism and the Canon: Three Female Artists Reflect on ‘Women of Abstract Expressionism.” Hyperallergic, September, 14, 2016.

Humor

• “Roseanne Roseannadanna from SNL’s Weekend Update Responds to the Baby Formula Shortage.” The Belladonna Comedy, June 1, 2022.

• “The Blingiest Belt Buckles Awarded at the National Western Stock Show.” Hyperallergic, January 18, 2019.

• “A Beer Festival Inspires Visitors to Craft Inventive Pretzel Necklaces as Snacks.” Hyperallergic, September 21, 2018.

Book Chapters

• “Publishing for Futures,” in Broken Time Machines: Daisy Patton, edited by Kealey Boyd and Yasmeen Siddiqui. Pine Plains, NY: Minerva Projects, 2021.

Catalog Essays

• “Social Protest is an Effective Aesthetic Structure,” in Pink Progression: Catalog of Three Exhibitions, edited by Anna Kaye and Sandy Lane. Denver: Pink Progression, 2020.

• “A Waltz with the Work of Wayne Brungard,” in Wayne Brungard: Have You Ever Sen the Back of a Shadow, edited by Jeff Lambson. Denver: University of Colorado, 2019.

Citations

• Terrie Sultan, “Jeffery Gibson,” in Telling Stories: Reframing the Narratives, ed. David Pagel, 91. Watermill, NY: Parrish Art Museum, 2020.

• Rimmer, Matthew. The Trans-Pacific Partnership: Intellectual Property and Trade in the Pacific Rim. Cheltenham, UK: Edward Elgar Publishing Limited, 2020.

• Sunden, Jenny and Susanna Paasonen. Who’s Laughing Now?: Feminist Tactics in Social Media. Cambridge: MIT Press, 2020.

• Lepage, Andrea. “The Fragility of Remembrance and Adriana Corral’s Unearthed Desenterrado.” In Adriana Corral Unearthed Desenterrado, edited by Andrea Lepage, 29-36. Lexington, Virginia: Washington and Lee University, 2019.

• Siddons, Louise. Review of Art for an Undivided Earth: The American Indian Movement Generation, by Jessica L. Horton. Panorama: Journal of the Association of Historians of American Art 5, no. 1, Spring 2019.

• Milner, Adam. “An Artwork by Sarah Lucas Hung Above My Bed For A Month.” Hyperallergic, January 3, 2019.

CV available upon request.